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White Horse, Black Hat: A Quarter Century on Hollywood's Poverty Row From the Library of Steve Sherman Ray Gotto's Ozark Ike

White Horse, Black Hat: A Quarter Century on Hollywood's Poverty Row From the Library of Steve Sherman Ray Gotto's Ozark IkeFrom the publisher: From the silent era into the early days of television, hundreds of small production companies turned out low budget films that were played as second features in this country and abroad. As might be expected, a high percentage of these films were Westerns. The people who made these films producers, directors, writers, actors, and technicians inhabited what came to be known as Poverty Row, eking out a living doing a job they loved.

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Ray Gotto's Ozark Ike

the Martian

and Drexel University

They look like him

White Horse, Black Hat: A Quarter Century on Hollywood's Poverty Row From the Library of Steve Sherman Ray Gotto's Ozark IkeFrom the publisher: From the silent era into the early days of television, hundreds of small production companies turned out low budget films that were played as second features in this country and abroad. As might be expected, a high percentage of these films were Westerns. The people who made these films producers, directors, writers, actors, and technicians inhabited what came to be known as Poverty Row, eking out a living doing a job they loved.

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